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January 20th, 2013
10:58 am - (recollections and soliloquies)
Some time ago, I read an interview with the Fourteenth Dalai Lama. He said that sometimes he feels the pangs of lust and what he does with it and about it. I recalled the stories about the Sixth Dalai Lama and his escapades in Lhasa and then about other great spiritual teachers in Tibetan and Zen traditions. I also recalled when, as a young man, I asked out a girl who just broke up with my good friend. A stupid thing on my part, very unskillful. A bad karma, too.
RECOLLECTIONS AND SOLILOQUIES (Part I, II, IV and VI, VII)
(I)

What can we learn from the ancient masters? Take this ol' Zen man Ikkyu with his passion for earthly affairs
An outstanding painter, a calligrapher a poet famous for his wit shortly after becoming the abbot of the great monastery Daitoku ji he sternly scolded his monks and sent their hypocrisy to the whore-houses and sake parlors he himself frequented openly
At seventy, Ikkyu fell in love with Mori a blind singer forty years his junior "one tune with you among the flowers is worth ten thousand springs" he wrote
and scandalized all moving her into the quarters of his temple to the final days following the dictum to be but ordinary in every way
(II)

Indeed, what can we learn from them? Take this pretty boy Dalai Lama, the Sixth with his elegant clothes and fancy rings
Recognized as the incarnation of the Great Fifth reborn at the time of political intrigue thus kept in hiding for many years without the usual monastic training, he eventually gave up even his novice robe and openly cavorted in Lhasa drinking and composing love songs: "this bar maid is my refuge, this drinking place my true home", he wrote
Yet even when drunk on wine or being in love, the Sixth never lacked compassion he chanted sutras days and nights for his beloved he tied prayer flags
The Sixth passed away early (again a victim of plots) leaving behind his Song of Rebirth -– "white crane, please, lend me your skill of wings I am not gong far, I will return"
(IV)

So, what can we learn from the ancient masters? Like this mendicant Ryokan with his rugs so shabby he looked like a wandering thief
To beg for food and humility he mended a cracked weather beaten bowl and took good care of the famous vase days and nights so it was never feel lonely again
An exquisite calligrapher, a haiku master, a hermit doing zazen like a towering mountain he adopted the Zen name Daigu -- The Big Fool indeed, who would care about a small one
In old age, Ryokan fell in love with Teishin a young beautiful nun. "Even in heavens there is nothing more precious than your visit on the first day of spring," he wrote
Ä great fool, indeed, dozing in this world of dreams yet urging us to sing and dance all night long under the silent moon
(VI)


crimson dawn like strawberries we share

(VII)

What can I learn I am not sure perhaps you could teach me how to remember the sound of morning mist falling off a blooming camellia

Where I belong I do not know hermit, perhaps, in past lives yearning for days as a lover in this life, I am a lover longing for days as a hermit

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What lovely poems, what lovely thoughts.
Love comes--there is no virtue in turning from it--the whore houses and sake parlors, the mendicant's path and the seashore, they are all ways to love, in all meanings of ways to love, I think.
(and the photos are beautiful as always--I love light seen through birds' wings) Thank you!
This love, so complicated. In China monastics were bhikshus (meaning celibate monks). The same in Tibet, but the story about the Sixth shows what happens sometimes when the politics and spirituality intersect. In Japan, at least these days, there are only priests and they can get married.
You are so right, loves comes -- no virtue in turning from it. |
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